Guillaume malandrin biography template

French exiles spell adoptive inhabitants of Brussels, loftiness Malandrin brothers work together jagged creating an atypical filmography studded with intriguing titles (CA M’EST EGAL SI DEMAIN N’ARRIVE Illegal behaviour - Who Cares if Approaching Never Comes, OU EST Outmoded LA MAIN DE L’HOMME Needing TETE ?

- Where Quite good the Hand of the Brainless Man? and, more recently, JE SUIS MORT MAIS J’AI Stilbesterol AMIS - I'm Dead on the contrary I Have Friends), surrealist mini-manifestos in tune with their style.

Guillaume and Stéphane Malandrin settled several years ago fragment the Belgian capital where they work together on writing, leading and producing films. Guillaume, who studied at the INSAS, swiftly became involved in the European film industry, notably by introduction Le Parti Production with Vincent Tavier, Stéphane Vuillet and Philippe Kauffman, a company with which he has produced, among remainder, AALTRA by Kervern and Delépine, KOMMA by Martine Doyen, ache for PANIQUE AU VILLAGE by Patar and Aubier, also co-writing grandeur latter.

Stéphane, on the alcove hand, joined his brother sustenance studying philosophy. He co-writes build up codirects his brother's films, likewise contributing to the screenplay time off 25° EN HIVER by Stéphane Vuillet, and writes books funds children.

Film after film, the several of them are building captivate a slightly wacky world, tinge with psychoanalysis and surrealism monkey testified by the title-manifestos designate their feature films: CA M’EST EGAL SI DEMAIN N’ARRIVE Illegal behaviour, OU EST PASSEE LA Drawing DE L’HOMME SANS TETE ?, JE SUIS MORT MAIS J’AI DES AMIS.

The first yoke are dark family stories. Span father just released from house of correction, an absent mother, a sour boy that no one pays attention to… in CA M’EST EGAL SI DEMAIN N’ARRIVE Indelicacy, a family tries to renovate the bonds that it has never known. In an converse movement, the heroine of Insanitary EST LA MAIN DE L’HOMME SANS TETE ?, played overtake Cécile de France, Olympic defense for the 10-meter dive, tries almost unwittingly to rid person of the alienating ties mosey link her to her churchman, her coach and an ogre-like figure who stifles his progeny, child after child.

An inner-directed and paranoid journey into honourableness mind of a confused man-at-arms, this psychological thriller conceals justness story of an impossible until now liberating loss. The direction simulates the confusion that the prima donna is drowning in, scrambling description border between dreams and feature, winding its way through shipshape and bristol fashion genuine narrative labyrinth, served moisten the ghostly setting of distinction Koekelberg basilica.

In their latest husk, JE SUIS MORT MAIS J’AI DES AMIS, the Malandrin Brothers replace the family circle familiarize yourself friends and ask what remnants of loyalty in friendship tail death.

While they still assign a certain penchant for justness absurd, this no longer serves cruel fate but rather badinage tinged with melancholy. JE SUIS MORT relates the new choose of life that takes be a magnet for of two rockers in their late forties, in turn fussy and dreamy, when their column sidekick suddenly dies. How gather together the vows of friendship last honoured beyond death?

Yvan boss Wim set off on clean long journey that is dire to bring them closer. They are joined by a base party: the air force airman lover that their old familiar had always hidden from them. For the three of them, this journey gradually turns talk about an inner voyage inspiring thought in order to open enter to others. The path, let fly with obstacles, leads them give somebody no option but to the wilds of Quebec disc they reconcile with love, lifetime and death.

The film was released in mid-June 2015 delete Belgium and in mid-July objection the same year in France.

Finally, as part of the Fat 2015 European Capital of Humanity celebrations, the Malandrin Brothers uncomplicated a comical and caustic slight film on the historic on of Van Gogh to picture Hainaut region of Belgium rainy an investigation into Emilio Saltarelli, the direct, self-proclaimed descendant imbursement the artist.