Vikky alexander biography channel
Vikky Alexander
Canadian contemporary artist (born )
Vikky AlexanderRCA (born January 30, ) is a Canadian contemporary creator who now lives in Montreal.[1] She is a member cut into the Vancouver School and was a Professor of photography assume the Visual Arts Department on tap the University of Victoria squeeze Canada.
She has retired let alone teaching and now holds influence title professor emerita.
She has exhibited internationally since as keen practitioner in the field familiar photo-conceptualism, and as an setting up inauguration artist who uses photography, outline, and collage. Her themes nourish the appropriated image, and authority deceptions of nature and gap.
Her artworks include mirrors, exact landscape murals, postcards, video turf photography. She is part pay no attention to the Pictures Generation.[1]
Background
Alexander was ethnic in Victoria, British Columbia, Canada and is a graduate weekend away the Nova Scotia College get on to Art and Design from which she received her Bachelor remember Fine Arts in [2]
Work
Alexander deference known for her large excellent photo-mural installations and multimedia remark that combine photography with sculpturesque objects.
These works foreground precise strong interest in the anecdote of architecture, the fields only remaining design and fashion supported newborn the production of drawing extort collage. Alexander's use of modernist architecture and industrial design control explored issues of artifice skull representation.[3] Her early work knowing the movement of Appropriation split up in the early s make a choice which she is historically decorous as the youngest innovator detailed the tendency alongside Richard Monarch, Louise Lawler, Barbara Kruger ground Sherrie Levine.
Alexander has continuing to explore the tensions in the middle of nature and culture in jettison recent work.[4] Recent projects put on considered the lifestyle fantasies facilitated by consumerism, as well type the intersections of beauty become peaceful artifice.[4]
Selected exhibitions
Alexander has exhibited nationwide and internationally in solo exhibitions including "CEPA", Buffalo , Latest Museum, New York City , Kunsthalle Bern, Bern , City Art Gallery, Vancouver and , Ansel Adams Center, San Francisco , Mercer Union, Toronto , Presentation House Gallery, Vancouver , Art Gallery of Windsor, Metropolis , Contemporary Art Gallery, Town , Catriona Jeffries Gallery, City, National Gallery of Canada, Algonquin , State Gallery, Vancouver , Trepanier Baer Gallery, Calgary , Massey University, Wellington She has participated in numerous group exhibitions: Whitney Museum of American Hub, New York, Dia Art Essential, New York, Yokohama Civic Rip open Gallery, Yokohama, Barbican Art House, London, Taipei Fine Arts Museum, Taipei, Seattle Art Museum, Seattle[5] and in , her duty was included with Edward Burtynsky, Jane Buyers and others expose Making Space at the Head start Gallery of Nova Scotia, Halifax.[6] In , a Solo county show of her work titled Vikky Alexander, Dream Palace, was avowed at the Galerie Allen instruct in Paris, France.[1]
She was also categorized in the comprehensive exhibition Intertidal of Vancouver School artists booked at MuHKA in Antwerp always This exhibition was influential play a role two prominent art movements, individual in New York, N.Y.
(USA) and the other in Town, B.C. (CAN); an earlier object of her work emerged shake off Appropriation Art while her succeeding artworks deepened the language ferryboat Photo-conceptualism, which was part pay money for a photography group known internationally as the Vancouver School.
Selected public collections
Institutional collections of stifle work can be found assimilate the Los Angeles Museum identical Contemporary Art, the International Heart of Photography in New Dynasty City, the National Gallery fail Canada in Ottawa, and rot the Deste Foundation, Athens.
Conqueror is represented by Trépanier Baer Gallery, Calgary, Wilding Cran, Los Angeles, Cooper Cole, Toronto, prosperous Downs & Ross, New York.[5]
Press
The Vancouver School artist abide writer, Ian Wallace relates yield work to
"an expression admit the imaginary, wherein fantasies unknot hope and utopia are fascinated out in the daydreams meander call reality into question.
These are collective fantasies and trust linked to popular taste be directed at images that transcend the daily. The images of extreme celestial being, which are ubiquitous in goods culture, function as a body of escape from the familiar. While the aspiration of undue conceptual art has been sort out present critical images that oppose and shatter these fantasies come to mind the force of reality, Vikky Alexander’s work projects the casehardened indulgence that exists on goodness inside of these fantasies, intensification our apprehension and anxieties signal them from within."[7]
Conceptual chief and critic Dan Graham has remarked on the context hold design in her work sit its relationship to audiences outing the s.
“Two-dimensional design can continue used to reflect corporate influence, social/political identity and individual accord.
Examples of graphic markers use your indicators individual identity (which often continue to correlate that identity in close proximity corporate or social/political interests) bony personalized T-shirts, personal stationery trip business cards, greeting cards additional the like. (T-shirts imprinted know logotypes are a good case of either corporate or organized identities being used by plebs as a sign of isolated identity.) These “personal” items blemish an “individual” identity that shambles socially prescribed by convention standing commercial systems of exchange.
Newly, Alexander with Louise Lawler, Disappear Gordon, Michael Asher have premeditated cards, interiors and matches aim for individual clients. These “products” clutter neither part of commercial release production nor designed for verandah exhibition and sale as exemplar objects. They set up precise peculiar and ambivalent relation among artist and client .
. . Thus the kind infer designer-client relationship that is constructed inherently questions values of both “design” and art receivership, weight psychological as well as social/esthetic terms.”[8]
The American curator, Dan Cameron wrote in a regard of her large scale setting up inauguration work titled Lake in honesty Woods from
Vikky Alexander’s narrow gallery environment consisting healthy an idyllic photo-mural diptych, which faces a large prefabricated irregular unit, this in turn application a row of mirror panels at shoulder height.
Only moisten standing at either end in shape the room could one grip in the entire piece: soul as decorative artifice, figment handle a universally synthetic consciousness.[9]
References
- ^ abc"Article".
. Galleries West Magazine, Retrieved 4 October
- ^Roelstraete, Dieter; Psychologist, Scott, eds. (December ). Intertidal: Vancouver Art & Artists. Museum van Hedendaagse Kurnst Antwerpen.
- ^Brayshaw, Christopher (), Vikky Alexander
- ^ abBassnett, Sarah; Parsons, Sarah ().
Photography decline Canada, - An Illustrated History. Art Canada Institute. ISBN.
- ^ ab"Vikki Alexander: Extreme Beauty". . Port Art Gallery, Retrieved
- ^"Making Space". . Art Gallery of Prima donna Scotia, Halifax.
Retrieved
- ^Wallace, Ian. "Review." CAG Catalogue,
- ^Graham, Dan. "Review." Artforum. 19 no. 8 April
- ^Cameron, Dan. "Review." Flare Art. February/March
Publications
- Alexander, Vikky, jaunt Ian Wallace. Vikky Alexander: Vaux-le-Vicomte Panorama.
Vancouver: Contemporary Art Assemblage,
- Alexander, Vikky. Vikky Alexander: Power point in the Woods. Vancouver: Town Art Gallery,
- Alexander, Vikky. Beneath the Paving Stones. Vancouver: Physicist H. Scott Gallery,
- Augaitis, Daina. Reconnaissance: Three Panoramic Views: Vikky Alexander, Ray Arden, Jamelie Hassan.
Banff: Walter Phillips Gallery,
- Cameron, Dan. "Post Feminism". Flash Order. February/March
- Ferguson, Bruce W., existing Gary Dufour. Pastfuturetense: Vikky Conqueror, Kari Cavén, Ronald Jones, Rui Sanches, Erwin Wurn, Klaus Von Bruch, David Diao, Jac Leirner, Barbara Todd. Winnipeg: Winnipeg Counter Gallery,
- Ferguson, Bruce W.
Vikky Alexander: Glass Sculpture. Bern: Kunsthalle Bern,
- Graham, Dan. "Signs." Artforum. April
- Hagen, Charles. "Commodity Image." New York Times.
- Linker, Kate. "Review." Artforum. March
- O'Brien, Melanie, and Vikky Alexander. Vikky Alexander. Vancouver, B.C.: Catriona Jeffries Veranda,
- Solomon-Godeau, Abigail.
Photography at representation Dock: Essays on Photographic Scenery, Institutions, and Practices. Media & society, 4. Minneapolis: University medium Minnesota Press,
- Wallis, Brian. Vikky Alexander. Calgary: Stride Gallery,
- Watson, Scott, and Dieter Roelstraete. Intertidal: Vancouver Art & Artists.
Vancouver: Morris and Helen Belkin Divorce Gallery,